A dream of behind the scenes on the cover of The New Yorker of December 12, 1988 by Sempé. The shadow of the prima ballerina hovers and fascinates novices who dream of becoming the next Aurélie Dupont, Polina Seminonova or Misty Copeland, the first black prima ballerina, on the stages of the Metropolitan Opera (MET) or the New York City Ballet.
Framed, this illustration will look wonderful in a an entrance hall, a living room or a bedroom.
This print is available in several formats.
The 30x40 and 40x50 illustrations come already mounted (The dimensions include the drawing and the mount board from Canson®).
The XXL 56x76 cm illustration: Because of its size, the quality of the printing and the art paper that is being used, this art print renders more vividly the artist’s emotion. Each illustration is printed to order with the greatest attention to details and respect to its original artwork. Colours are rich and lines are pure. For this particular size, Image Republic has chosen the high quality 250 gr art velum from Velin d’Arche® which is normally used for lithographs. The raw edge of the velum sheet brings the print a beautiful and elegant finish. Each print is certificated and wrapped in silk paper before being rolled up in a tube for delivery.
All of our prints are ready to frame (30x40 cm , 40x50cm and 60x80 cm frames).
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