New York

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Saul Steinberg drew 87 covers for The New Yorker! The March 29th of 1976 cover is ranked 4th largest magazine cover of the second half of the 20th century by the American Society of Magazine Editors. On this "View of the World from 9th Avenue", Steinberg captures in a few tasty details the perception that New Yorkers at the time had of the rest of the United States and the world: desert, rock, Kansas City, Nebraska, Las Vegas, and beyond the Pacific, the silhouettes of Japan, China and Russia!

The New Yorker Collection is no longer available online but only in our stores and at our retailers. For the name of your nearest retailer, contact customer service at serviceclient@image-republic.com

The American Artist Charles E. Martin signs his drawings with a C.E.M. This cover from January 22th 1972 represents a view of New York in snowy New York, tinged with purple. The moon cuts the silhouette of a tree in Central Park, under the eye of the towers of the "San Remo Apartments" in Central Park West, on the Upper West Side of Manhattan. 

Shadows and water on the surface of the East River, under the Brooklyn Bridge, on the cover of the New Yorker of May 27, 2019 by Malika Favre. The French illustrator and cartoonist based in Barcelona delicately slides a paddle into the shadow of the suspension bridge designed by John Augustis Roegling that links Manhattan to Brooklyn. He has been immortalized many times in the cinema, from "Once upon a time in America" by Sergio Leone to the Lumière brothers, via "Godzilla" and "Cloverfield".

Building cut-outs and dotted reflections in the Central Park lake is the vision of Eugene Mihaesco, a Romanian cartoonist exiled in the United States in the 1960s and author of more than 70 covers for The New Yorker, including the August 18, 1975 cover. He has devoted much of his work to drawing against oppression and for world peace.

Colour magic and couple magic on the fall cover of The New Yorker for November 12, 2018 by Eric Drooker. The brown and red tones of autumn mingle with the blues of the lake water and the facades of the skyscrapers that line Central Park and cut into the evening sky. In the rowboat, the couple of lovers take up the same colour, blue for the rower, red for the red-headed woman on the back, whom they gently walk around. 

Christmas is approaching, under the brushes of Arthur Getz, on the cover of The New Yorker on December 18, 1965. The night sparkles with multiple colours, blue reflections of the night, red of the garlands, yellow of the headlights and the windows of the buildings, green of the puddles on the sidewalks. The night is plural, the work of an artist with an infinite palette, from Soho to Greenwich village, or Chelsea.

Polar cold on the cover of the New Yorker January 13, 2014. Bruce McCall replaces the famous emblematic lions that frame the square in front of the Public Library on 5th Avenue with two polar bears much better suited to the winter temperatures of that winter. Stalactites and an imperturbable snowplow complete the picture of the twilight season. 

An iconic building in New York, the Flatiron Building, at the intersection of Fifth Avenue and Broadway, is almost as well known as the Empire State Building. Its singular triangular shape, designed by the architect Daniel Burnham, never ceases to question photographers and designers. On this cover of The New Yorker for April 17, 2017, Harry F Bliss adds a humorous touch with this linen stretched over the most fashionable avenue in the world. 

On January 24, 1970, Charles E. Martin (E.C.M.) offered the New Yorker a unique view of the doors of the Solomon R. Guggenheim Museum on Fifth Avenue on the Upper East Side. The famous architect Frank Lloyd Wright designed it to evoke a helical structure.

Two years after the attacks of September 11, 2001, Turkish cartoonist Gürbüz Dogan Eksioglu pays homage to the famous twin towers of the World Trade Center. On the cover of the New Yorker of September 15, 2003, in solidarity, he offered a twin to each tower of the city, from the most modest to the most emblematic: Empire State Building, Chrysler Tower... The Skyline splits up to pay tribute to the missing.